stacie chaiken

writer  •  performer

 
solo plays

Next Year in Jerusalem: 
Artists respond to the Holocaust
presented by Visions & Voices , April 14, 2011
at the USC School of Cinema Ray Stark Theatre

I performed an original piece, based on materials from the  recently 
acquired Holocaust and Genocide Research Collection at USC’s 
Doheny Library. The performance was followed by a panel discussion 
about how artists interact with and draw from testimony, specifically 
testimony about trauma or catastrophe.



Creativity by Encounter: a PechaKucha presentation
presented at the TCG National Conference in Los Angeles, June 16, 2011

The PechaKucha format—created as a concise way for overly 
chatty Japanese architects to present their projects—allows you 
to show 20 images, each for only 20 seconds. The images  
(Here, they invited us to use audio and video, as well) advance 
automatically and you talk along with the presentation. I found 
it a brilliant way to put something together quickly and concisely, 
and get a sense of what and how I am thinking.

The session was streamed live. You can watch it on line: 
All the presenters have inspiring projects, so enjoy. If you 
want to fast forward ahead to my piece, it begins at 1:04:50.




And ZEEK published an article and an excerpt from The Dig, Spring 2011


Next Year in Jerusalem:

Artists respond to the Holocaust

presented by Visions & Voices , April 14, 2011

at the USC School of Cinema Ray Stark Theatre


I performed an original piece, based on materials from the  recently

acquired Holocaust and Genocide Research Collection at USC’s

Doheny Library. The performance was followed by a panel discussion

about how artists interact with and draw from testimony, specifically

testimony about trauma or catastrophe.




Creativity by Encounter: a PechaKucha presentation

presented at the TCG National Conference in Los Angeles, June 16, 2011


The PechaKucha format—created as a concise way for overly

chatty Japanese architects to present their projects—allows you

to show 20 images, each for only 20 seconds. The images 

(Here, they invited us to use audio and video, as well) advance

automatically and you talk along with the presentation. I found

it a brilliant way to put something together quickly and concisely,

and get a sense of what and how I am thinking.


The session was streamed live. You can watch it on line:

All the presenters have inspiring projects, so enjoy. If you

want to fast forward ahead to my piece, it begins at 1:04:50.





And ZEEK published an article and an excerpt from The Dig, Spring 2011

“Chaiken’s beautiful writing

strategically proffers up pieces of

bone and tooth in a scintillating

anthropological dig.”


— Steven Leigh Morris/LA WEEKLY

     writing about “Looking for Louie”

staciechaiken.com HOME 


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resumé


NoPassport interview 

                
what’s the story?
workshop


CONTACT


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Tuesday, February 7, 10am - 4pm






I’ll be performing Next Year in Jerusalem at 10am, as we begin the conversation about how artists and institutions can tell difficult stories and make a difference in their communities and in the world.


Please join us for a day-long event—open to the public— which focuses on artistic work that engages with catastrophe and events — personal and world-wide — which challenge our sense of how things ought to be.


www.witness-responsibility.com